The Editors & Publishers International Creative Awards
Past epica days
16 January 2018
The creative prize judged by journalists extends partnership with ACT Responsible to launch a specific Grand Prix for good causes.
15 January 2018
Holding company of the Year: OMNICOM Brand of the Year: Nike Production company of the Year: Great Guns Network of the Year: McCann Worldgroup with 42 awards including a Grand Prix and 11 Golds. Agency of the Year: BBDO New York with 27 awards including a Grand Prix and 6 Golds.
04 December 2017
Advertising from Argentina is often great. So great, in fact, that agencies in other parts of the world want a slice of it. Meet Les Argentins (The Argentines), the duo bringing ad genius from Buenos Aires to your doorstep.
01 November 2017
Artem Sinyavskiy of Russian agency Marvelous tells us how he transformed a talent for organising parties into an agency that thrives on unexpected solutions.
10 October 2017
GPN is the sponsor of Epica’s new Production Company of the Year award. The network may reach every corner of the globe, but founder Harry Tracosas is a firm believer in the personal touch.
04 October 2017
While other magazines struggle, Wallpaper* is in fine fettle, celebrating its 21st birthday with double digit advertising growth, higher quality paper stock and its biggest issue ever. So what are the secrets of its success? Read on to find out.
18 September 2017
Spencer Baim, chief strategic officer of Vice Media, has a consummate understanding of the relationship between advertising, content and journalism. Which is why he's the perfect president of this year's Epica Awards jury. Click here to find out more.
06 September 2017
French kidswear brand Petit Bateau is in the news with a hopping spot that makes a star out of a sweatshirt. We talk to image and communications director Stéphane Wargnier about the ad and his collaboration with the agency BETC.
23 August 2017
Canadian film-maker Lawrence Ribeiro specialises in the kind of action sequences that bring you out in a cold sweat. Here the director tells us why more brands should emulate his "attraction to risk".